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<blockquote data-quote="trash80" data-source="post: 294313" data-attributes="member: 7578"><p>I love my Jackson guitars. My studio has 8 sitting out and ready to go at all times. My favorite for general studio work is actually an inexpensive Alder Japan Dinky (Eb) Hardtail from the mid-90's with the JB/59 pickups, and the thing with the Japan made Jacksons is that each neck was hand shaped, so you can get some interesting variations of the normal Jackson carve, this particular one is a little more flat-D than normal. My other go to Jacksons are a couple of USA custom seven strings (B & A), one with the Dimarzio PAF 7 set and the other with PAF 7 in the neck and SD Nazgul in the bridge. The other 6 strings are an old Kelly (D), an all Mahogany Dinky (Open C) and a 2018 flame maple Dinky (Open G) with flat wound 13s on it. Then there is an old toothpaste logo Charvel Rhodes V with Stealth Camo and a Tremol-no that generally just hangs on the wall since I don't play out anymore. I sold almost all my outboard gear about 10 years ago and have never looked back. Everything I do now is in the box and if I can't get the tone I need from Helix or STL within a couple clicks, well then I am wasting too much time. Speaking of time savers, for the last few years and up until very recently, I exclusively played Evertune equipped guitars which are a studio godsend, but I found myself gravitating back to a bunch of alternate and open tunings which made the Evertune cost prohibitive in the overall scheme.</p></blockquote><p></p>
[QUOTE="trash80, post: 294313, member: 7578"] I love my Jackson guitars. My studio has 8 sitting out and ready to go at all times. My favorite for general studio work is actually an inexpensive Alder Japan Dinky (Eb) Hardtail from the mid-90's with the JB/59 pickups, and the thing with the Japan made Jacksons is that each neck was hand shaped, so you can get some interesting variations of the normal Jackson carve, this particular one is a little more flat-D than normal. My other go to Jacksons are a couple of USA custom seven strings (B & A), one with the Dimarzio PAF 7 set and the other with PAF 7 in the neck and SD Nazgul in the bridge. The other 6 strings are an old Kelly (D), an all Mahogany Dinky (Open C) and a 2018 flame maple Dinky (Open G) with flat wound 13s on it. Then there is an old toothpaste logo Charvel Rhodes V with Stealth Camo and a Tremol-no that generally just hangs on the wall since I don't play out anymore. I sold almost all my outboard gear about 10 years ago and have never looked back. Everything I do now is in the box and if I can't get the tone I need from Helix or STL within a couple clicks, well then I am wasting too much time. Speaking of time savers, for the last few years and up until very recently, I exclusively played Evertune equipped guitars which are a studio godsend, but I found myself gravitating back to a bunch of alternate and open tunings which made the Evertune cost prohibitive in the overall scheme. [/QUOTE]
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