How about bad license, bad machine?
As far as shadow goes, I think it is a great license in general, just the movie could have been a lot better. I don't find it as bad as most people but it isn't fantastic either
Further "proof"... at my arcade, before it shut down, there was never more than one unlicensed pin there at one time. Obviously my operator had to make money, and he found through trial and error that licensed pins work better. No real getting around that.
Scared Stiff and Red and Ted's Roadshow both have personality licenses: Elvira in the former, and Carlene Carter in the latter, which also features a song performed by her. While it's smart business to go with established, popular themes, there's many out there (such as Roger Sharpe) who believe unlicensed tables could succeed in today's market, and there's several upstart pinball companies out there willing to bet on this by releasing tables that are either unlicensed, or have old or less-expensive licenses (like Predator).two games that regularly feature in top 5 lists of favourite pinballs are Attack From Mars (unlicensed) and Medieval Madness (unlicensed). then there's Theatre of Magic and Tales of The Arabian Nights, and Revenge From Mars and Fish Tales and Cirqus Voltaire, and Funhouse and White Water and Scared Stiff and Cactus Canyon and High Speed II and No Good Gofers and Black Knight and Whirlwind and Roadshow. Not a license between the lot of them.
i didn't just pick these out of a hat either, i just looked at the recent ipdb top 30 - around half of the most popular pins were new inventions without an established theme.
much rarer these days of course, but that's another story
More than likely that's because there aren't any unlicensed games that Stern makes and Stern are the only decent-sized manufacturer making machines. Any unlicensed games likely would've been the odd token old machine.Further "proof"... at my arcade, before it shut down, there was never more than one unlicensed pin there at one time. Obviously my operator had to make money, and he found through trial and error that licensed pins work better. No real getting around that.
two games that regularly feature in top 5 lists of favourite pinballs are Attack From Mars (unlicensed) and Medieval Madness (unlicensed). then there's Theatre of Magic and Tales of The Arabian Nights, and Revenge From Mars and Fish Tales and Cirqus Voltaire, and Funhouse and White Water and Scared Stiff and Cactus Canyon and High Speed II and No Good Gofers and Black Knight and Whirlwind and Roadshow. Not a license between the lot of them.
i didn't just pick these out of a hat either, i just looked at the recent ipdb top 30 - around half of the most popular pins were new inventions without an established theme.
much rarer these days of course, but that's another story
More than likely that's because there aren't any unlicensed games that Stern makes and Stern are the only decent-sized manufacturer making machines. Any unlicensed games likely would've been the odd token old machine.
What percentage of games were "new" Stern vs. 90s/80s machines?
Could be cost: a collector was telling me that WMS machines command a premium in the market.You're missing my point. All these lists you point to are decided on by pinball fans, not your average joe.
Before it close down it was 6:2. And the 2 were TMNT (which is still a pretty "relevant" license) and Raven...
My pinball operator is keeping the scene alive in my city, but he strongly prefers Stern/SEGA/DE for some reason. He only has one WMS on-site that I know of.
Could be cost: a collector was telling me that WMS machines command a premium in the market.
Scared Stiff and Red and Ted's Roadshow both have personality licenses: Elvira in the former, and Carlene Carter in the latter, which also features a song performed by her. While it's smart business to go with established, popular themes, there's many out there (such as Roger Sharpe) who believe unlicensed tables could succeed in today's market, and there's several upstart pinball companies out there willing to bet on this by releasing tables that are either unlicensed, or have old or less-expensive licenses (like Predator).
You bastard. I love that table.I think this game Wrath of Olympus and America's Most Haunted (which feels like a good late 80s machine in terms of gameplay) will end up being great examples to prove those people like Roger Sharpe correct. I played the prototype of WOOLY at Pinfest and it was amazing. The art is phenomenal and the playfield layout is really cool.
https://pinside.com/pinball/forum/topic/wrath-of-olympus-original-custom-pinball-development
I think this game Wrath of Olympus and America's Most Haunted (which feels like a good late 80s machine in terms of gameplay) will end up being great examples to prove those people like Roger Sharpe correct. I played the prototype of WOOLY at Pinfest and it was amazing. The art is phenomenal and the playfield layout is really cool.
https://pinside.com/pinball/forum/topic/wrath-of-olympus-original-custom-pinball-development
You bastard. I love that table.
I'm on his interest list, if he does a production run (which I think is likely someday) I will have a chance to buy one. I could definitely see doing it.